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Rebecca Harris

Art historian, writer and curator

  • News
  • Lectures, Seminars and Conferences
  • Symposia and Workshops
  • Curatorial and Research Projects
  • Publications
  • Collaborations in Design and Architecture
  • About
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RH

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  • Home
    • About
    • Collaborations in Design and Architecture
      • Mark
      • Rubino Box
    • Contact
    • Curatorial and Research Projects
      • Memory Palimpsests: Creative Approaches to Memory
      • The Point of ‘Différence’
      • Tracing The Photograph
    • Lectures, Seminars and Conferences
      • ‘Three Women Artists: Focus on the Life and Work of Eva Hesse, Cindy Sherman and Sophie Calle.’
      • Criticality
      • Making Artworks Present, or Embodiment and the Site of Self-Inscription
      • The Megillat
      • What does truth mean? Is it even relevant or helpful?
      • Writing a Thesis.
      • Writing and Making: New Ways of Thinking Through Language
    • News
      • MSA Annual Conference, Madrid, June 2019
    • Publications
      • “Essay in response to Johannes Wohnseifer’s The Thin Commandments”
      • (Post)Modernism in Theresienstadt: The Legacy of Viktor Ullman
      • Pandemic, Jewish Learning and Us
      • Rubino Box – Cent
      • Text Zer Kunst
      • The Idea of Line and Form
    • Symposia and Workshops
      • ‘Dialectics of the Image – “the Structure of Commentary” – Process as Montage’
      • Editing and the Encounter with the Artwork: A Reading of Sophie Calle’s ‘Take Care of Yourself’.
      • Hella Guth’s surrealist drawings: between sense memory and mediation
      • Publish and Be Damned 2013
      • Research Advisory Group Session Leader, Collaborative Practices in Research, Chinese Arts Centre
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